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Some Recent Entries
(These may not be the most recent entries.
If there are more recent entries, they may be found here or here.)
Sunday, July 13, 2008
12:24 PM
Star Quality:
Christ's High Table
C. P. Snow in A Mathematician's Apology:
FOREWORD
"It was a perfectly ordinary night at Christ's high table, except that Hardy was dining as a guest. He had just returned to Cambridge as Sadleirian professor, and I had heard something of him from young Cambridge mathematicians. They were delighted to have him back: he was a real mathematician, they said, not like those Diracs and Bohrs the physicists were always talking about: he was the purest of the pure. He was also unorthodox, eccentric, radical, ready to talk about anything. This was 1931, and the phrase was not yet in English use, but in later days they would have said that in some indefinable way he had star quality."
Perhaps now also at Christ's high table-- Scarlett O'Hara's Younger Sister, Evelyn Keyes, who died on July 4, 2008:
"... the memory of Evelyn Keyes looking at herself on the screen, exclaiming: 'There's star quality! Look at those tits!'"
 Evelyn Keyes in 99 River Street
Sunday, July 13, 2008
12:06 PM
Annals of Philosophy:
Footprint
O blinding hour, O holy, terrible day, When first the shaft into his vision shone Of light anatomized! Euclid alone Has looked on Beauty bare. Fortunate they Who, though once only and then but far away, Have heard her massive sandal set on stone.
-- Edna St. Vincent Millay
Sunday, July 13, 2008
11:00 AM
Today's Sermon:
Saturday, July 12, 2008
10:31 AM
In the Details:
Friday, July 11, 2008
9:11 PM
The Lottery Theater presents:
Friday, July 11, 2008
7:11 PM
The 7/11 Alignment:
"I say high, you say low, you say why, and I say I don't know. Oh, no. You say goodbye and I say hello."
-- Hello Goodbye *
Thanks to NBC Nightly News tonight for a story on the following:
Manhattanhenge is an evening when "the Sun sets in exact alignment with the Manhattan grid, fully illuminating every single cross-street...."
Full Sun on grid: Friday, July 11-- 8:24 PM EDT
Related material from the late Tom Disch on St. Sarah's Day:
Saturday, May 24th, 2008
9:15 pm
What I Can See from Here
I face east toward the western wall Of a tall many-windowed building Some distance off. I don't see the sunset Directly, only as it is reflected From the facade of that building. Those familiar with Manhattan know How the evening sun appears to slide Into the slot of any east/west street, And so its beams are channeled Along those canyon streets to strike Large objects like that wall And scrawl their anti-shadows there, A Tau of twilight luminescence At close of day. I've seen this For some forty years and only tonight Did I realize what I had been looking at: The way god tries to say good-bye. -- Tom Disch |
* Stanley Cavell, in The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy, has a note on the song "Hello Goodbye"--
"189. The extra-long coda... was referred to as the 'Maori finale' from the start...."
Friday, July 11, 2008
1:00 PM
Serious Numbers, continued:
AND MORE LOGOS:
"Serious numbers will always be heard." -- Paul Simon  | The HSBC Logo Designer -- Henry Steiner He is an internationally recognized corporate identity consultant. Based in Hong Kong, his work for clients such as HongkongBank, IBM and Unilever is a major influence in Pacific Rim design. Born in Austria and raised in New York, Steiner was educated at Yale under Paul Rand and attended the Sorbonne as a Fulbright Fellow. He is a past President of Alliance Graphique Internationale. Other professional affiliations include the American Institute of Graphic Arts, Chartered Society of Designers, Design Austria, and the New York Art Directors' Club. His Cross-Cultural Design: Communicating in the Global Marketplace was published by Thames and Hudson (1995). -- Yaneff.com | Related material from the past -- Fly from Fly Bottle: Charles Taylor, "Epiphanies of Modernism," Chapter 24 of Sources of the Self (Cambridge U. Press, 1989, p. 477) -- "... the object sets up a kind of frame or space or field within which there can be epiphany." | Related material from today --
Escape from a cartoon graveyard:
Friday, July 11, 2008
9:00 AM
Annals of Philosophy:
LOGOS "Religions are hardy." -- TIME magazine, issue dated July 14 "I confess I do not believe in time." -- Vladimir Nabokov "I can hardly do better than go back to the Greeks." -- G. H. Hardy Figure 1: The Greeks  Figure 2: The Irrational

Thursday, July 10, 2008
12:00 PM
His and Hers:
SomethingFrom the current issue of TIME:  "Religions are hardy. 'Many a time we have gotten all ready for the funeral' of one faith or another, 'and found it postponed again, on account of the weather or something.'" -- Mark Twain Twain was raised as a Presbyterian (the Calvinist tradition). This year's Twain award for humor went to George Carlin, raised in the Catholic tradition. On learning he had won the Twain award, Carlin said, "Thank you, Mr. Twain. Have your people call my people." Today's Birthdays:
Born July 10, 1509 -- 
Wednesday, July 9, 2008
8:00 PM
Translation, continued:
Ah! Bright Wings
A poem by the late Thomas Disch:
Sundays at the Colosseum
I think you always had to be a little juiced to enjoy the show. Or Jewish! I never attended without a flask of red, and would salute the dying singers-- martyrs they called themselves-- when the lions drew first blood. The songs went on until either terror or death had silenced the last of them. I doubt we would have gone so religiously if it weren't for the singing. Sometimes we'd even sing along. Circuses aren't the same these days. Pity.
-- From Disch's weblog on Friday, May 23, 2008, at 8:26 AM
Related material on a novel by Disch:
"On Wings of Song, published in 1979, tells the story of a repressive Amesville, Iowa, in the 21st century. The main character, Daniel Weinreb, tries to master the art of song and flight, 'driven by the knowledge that some have attained flight, their spirits separated from their physical bodies and propelled on the waves of their own singing voices-- literally born on wings of song.'"
-- Jocelyn Y. Stewart in a Los Angeles Times obituary of July 8, 2008
Wednesday, July 9, 2008
8:28 AM
Review:
God, Time, Epiphany 8:28:32 AM Anthony Hopkins, from All Hallows' Eve last year: "For me time is God, God is time. It's an equation, like an Einstein equation." James Joyce, from June 26 (the day after Anti-Christmas) this year: "... he glanced up at the clock of the Ballast Office and smiled: -- It has not epiphanised yet, he said." Ezra Pound (from a page linked to yesterday morning): "It seems quite natural to me that an artist should have just as much pleasure in an arrangement of planes or in a pattern of figures, as in painting portraits...." From Epiphany 2008: An arrangement of planes:  From May 10, 2008: A pattern of figures: See also Richard Wilhelm on Hexagram 32 of the I Ching: "Duration is a state whose movement is not worn down by hindrances. It is not a state of rest, for mere standstill is regression. Duration is rather the self-contained and therefore self-renewing movement of an organized, firmly integrated whole, taking place in accordance with immutable laws and beginning anew at every ending. The end is reached by an inward movement, by inhalation, systole, contraction, and this movement turns into a new beginning, in which the movement is directed outward, in exhalation, diastole, expansion."  -- The Middle-English Harrowing of Hell... by Hulme, 1907, page 64
Tuesday, July 8, 2008
9:34 PM
The Final Hit:
Tuesday, July 8, 2008
3:17 PM
Final Arrangements, continued:
And the Templeton Prize goes to... Click on image for further details.
Tuesday, July 8, 2008
1:14 PM
The Holy Spook continued:
New York Lottery mid-day today: 672

-- The Middle-English Harrowing of Hell... by Hulme, 1907, page 64
Tuesday, July 8, 2008
3:33 AM
Annals of Poetry continued:
Translation
Yesterday's entry discussed T.E. Hulme-- a co-founder, with Ezra Pound, of the Imagist school of poetry. Recent entries on randomness, using the New York Lottery as a source of examples, together with Hulme's approach to poetry discussed yesterday, suggest the following meditation-- what Charles Cameron might call a "bead game."
Part I:
Ezra Pound on Imagism (from Gaudier-Brzeska,* 1916):
Three years ago in Paris I got out of a "metro" train at La Concorde, and saw suddenly a beautiful face, and then another and another, and then a beautiful child’s face, and then another beautiful woman, and I tried all that day to find words for what this had meant to me, and I could not find any words that seemed to me worthy, or as lovely as that sudden emotion. [....]
The "one image poem" is a form of super-position, that is to say, it is one idea set on top of another. I found it useful in getting out of the impasse in which I had been left by my metro emotion. I wrote a thirty-line poem, and destroyed it because it was what we call work "of second intensity." Six months later I made a poem half that length; a year later I made the following hokku-like sentence: -- "The apparition of these faces in the crowd: Petals, on a wet, black bough." I dare say it is meaningless unless one has drifted into a certain vein of thought. In a poem of this sort one is trying to record the precise instant† when a thing outward and objective transforms itself, or darts into a thing inward and subjective.
Part II:
Eleanor Goodman on translation (in a July 7, 2008, weblog entry, "Pound and Process: An Introduction"): "... all translations exist on an axis. Indeed, they exist in a manifold of many axes intersecting. One axis is that of foreignness and familiarity. One axis is that of structural mimicry, another of melodic mimicry. And one axis is that of semantic fidelity."
Goodman's use of the word "manifold" here is of course poetic, not mathematical.
Part III:
New York Lottery, mid-day on July 7, 2008: 771. Part IV:
A Google search on manifold 771 reveals that 771 is, according to Google's scanners, an alternate form (a "translation," via structural mimicry) of a script version of the letter M. (See Part V below.)
Part V:
Long version of a one-image poem --
"Random apparition: manifold translated." This poem summarizes the relationship (See Part IV above) of the (apparently) random number 771 to the rather non-random concept of a linear manifold:

[Such lines and planes have not been, in mathematical language, "translated."] -- Paul R. Halmos, Finite Dimensional Vector Spaces, Princeton University Press, 1948
Short version of the above one-image poem --
771:

* Gaudier-Brzeska created the artifact shown of the cover of Solid Objects, a work of literary theory by Douglas Mao. For more on that artifact and on the New York Lottery, see Sermon for St. Peter's Day. "It is not in the premise that reality/ Is a solid...." --Wallace Stevens † "I was like, Oh My God." --Poet Billy Collins at Chautauqua Institution, morning of July 7, 2008
Monday, July 7, 2008
7:00 AM
On Dryness, continued:
Classicism
Last evening's entry referred to a 1961 essay by Iris Murdoch titled "Against Dryness." Murdoch's use of "dryness" as a literary term is taken from a 1911 essay by T. E. Hulme, "Romanticism and Classicism." Hulme says that
"There is a general tendency to think that verse means little else than the expression of unsatisfied emotion. People say: 'But how can you have verse without sentiment?' You see what it is: the prospect alarms them. A classical revival to them would mean the prospect of an arid desert and the death of poetry as they understand it, and could only come to fill the gap caused by that death. Exactly why this dry classical spirit should have a positive and legitimate necessity to express itself in poetry is utterly inconceivable to them."
Related philosophy from Hollywood:
- Bentley: ... What is it, Major Lawrence, that attracts you personally to the desert?
- Lawrence: It's clean.
- Bentley: Well, now, that's a very illuminating answer.
Sunday, July 6, 2008
9:00 PM
On Dryness:
"A devoted father, Smith passes on his philosophy of life to his children through chess, among other things. 'My father taught me how to play chess at seven and introduced beautiful concepts that I try to pass on to my kids. The elements and concepts of life are so perfectly illustrated on a chess board. The ability to accurately assess your position is the key to chess, which I also think is the key to life.' He pauses, searching for an example. 'Everything you do in your life is a move. You wake up in the morning, you strap on a gun, and you walk out on the street-- that's a move. You've made a move and the universe is going to respond with its move. 'Whatever move you're going to make in your life to be successful, you have to accurately access the next couple of moves-- like what's going to happen if you do this? Because once you've made your move, you can't take it back. The universe is going to respond.' Smith has just finished reading The Alchemist, by the Brazilian writer Paulo Coelho: 'It says the entire world is contained in one grain of sand, and you can learn everything you need to learn about the entire universe from that one grain of sand. That is the kind of concept I'm teaching my kids.'"
Sunday, July 6, 2008
9:00 AM
Today's Sermon:
Saturday, July 5, 2008
8:00 AM
The Lottery Theater presents...
The Bacchae by Euripides
New York Lottery on the Fourth of July: Mid-day 678 Evening 506
These numbers may be interpreted as references to a current Lincoln Center play -- The Bacchae, by Euripides.
Line 678 of The Bacchae --
From a Brandeis class's translation (2006):
Messenger: [677] Our feeding herds of cattle were just climbing [678] above the treeline when the sun [679] sent forth its rays to warm the earth. Related review by Charles Isherwood in today's New York Times:
"A god deserves a great entrance. And Dionysus, the god of wine and party boy of Mount Olympus, whose celebratory rituals got the whole drama thing rolling in the first place, surely merits a spectacular one...."
Line 506 of The Bacchae --
From a 1988 translation (pdf) by Matthew A. Neuburg--
Dionysus:
[506] You don’t know what you’re saying, what you’re doing, who you are.
Translator's note:
506 The state of this line in the MSS has driven editors to despair; in particular, the first of the things Pentheus is said not to know is, in Greek, “what you are living,” which seems doubtful Greek. Many emendations have been proposed; I accept here DODDS’s emendation, but I have a feeling we’re missing something.
AMEN.
Friday, July 4, 2008
11:30 AM
For the Fourth of July...
In memory of Senator Jesse Helms, R-NC:
"I'm a church beside the highway where the ditches never drain, I'm a Baptist like my daddy, and Jesus knows my name."
-- Mary Chapin Carpenter
Friday, July 4, 2008
8:00 AM
ART WARS continued:
Thursday, July 3, 2008
7:11 PM
ART WARS continued:
De Haut en Bas"... this hard prize, Fully made, fully apparent, fully found"
-- Wallace Stevens,"Credences of Summer"
 Marlon Brando and Robert De Niro in " The Score" The Prize:
Thursday, July 3, 2008
11:00 AM
For Champlain at Cap Diamant:
Highs and Lows
From today's New York Times:
This week, we the people of North America are staging two celebrations. The Fourth of July is the 232nd birthday of the United States.... In Canada, today, another ceremony will mark the 400th anniversary of Quebec City, the first permanent settlement in New France. Paul Simon on religion:"I need a photo opportunity, I want a shot at redemption...." Log24 on August 8, 2002 -- The cast of "Some Girls," a film set in Quebec City: 
"Don't want to end up a cartoon in a cartoon graveyard." Amen, sister.
Thursday, July 3, 2008
7:59 AM
Catholic Koan:
Blasphemous Thoughts about Thor
Commonweal on Gopnik on Chesterton:
"Gopnik thinks Chesterton’s aphorisms are better than any but Oscar Wilde’s, and he describes some of them as 'genuine Catholic koans, pregnant and profound.' For example: 'Blasphemy depends on belief, and is fading with it. If anyone doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor.'"
Pregnant and Profound: Douglas Adams on Thor
Kate felt quite dizzy. She didn't know exactly what it was that had just happened, but she felt pretty damn certain that it was the sort of experience that her mother would not have approved of on a first date.
"Is this all part of what we have to do to go to Asgard?" she said. "Or are you just fooling around?"
"We will go to Asgard... now," he said.
At that moment he raised his hand as if to pluck an apple, but instead of plucking he made a tiny, sharp turning movement.The effect was as if he had twisted the entire world through a billionth part of a billionth part of a degree. Everything shifted, was for a moment minutely out of focus, and then snapped back again as a suddenly different world.
-- The Long Dark Tea-Time of the Soul
Wednesday, July 2, 2008
12:00 PM
Review:
Let Noon Be Fair"The serpent's eyes shine As he wraps around the vine"  A Good Year
-- Last summer's journal
Related material:
 Cover illustration:
 Spies returning from the land of Canaan with a cluster of grapes.
Colored woodcut from Biblia Sacra Germanica, Nuremberg, Anton Koberger, 1483. Victoria and Albert Museum, London.
Wednesday, July 2, 2008
8:28 AM
The Last Target:
Bull's-EyeOn this date in 1961, Ernest Hemingway shot himself. The Talented Patricia Highsmith"Yes, oh, God, Robin was beautiful. [....] A sort of first position in attention, a face that will age only under the blows of perpetual childhood. The temples like those of young beasts cutting horns, as if they were sleeping eyes. And that look on a face we follow like a witch-fire."
Wednesday, July 2, 2008
3:33 AM
Annals of Religion:
Sacerdotal JargonWallace Stevens, from "Credences of Summer" in Transport to Summer (1947):
"Three times the concentred self takes hold, three times The thrice concentred self, having possessed The object, grips it in savage scrutiny...."
In memory of the former first lady of Brazil, who died on June 24 --
Emily Dickinson:
Till Summer folds her miracle -- As Women -- do -- their Gown -- Or Priests -- adjust the Symbols -- When Sacrament -- is done -- |
Symbols of the thrice concentred self: The circular symbol is from July 1. The square symbol is from June 24, the date of death for the former first lady of Brazil. Wallace Stevens quotes Paul Klee: "'... what artist would not establish himself there where the organic center of all movement in time and space-- which he calls the mind or heart of creation-- determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow...." -- "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951)
Tuesday, July 1, 2008
3:33 AM
Annals of Poetry:
|